By DEBORAH JOWITT
MAY 23, 2015
Kimberly Bartosik, Dylan Crossman, and Melissa Toogood all danced in Merce Cunningham’s company—Bartosik for nine years a few decades ago, Crossman and Toogood in the company that was finally disbanded in 2011. What perhaps should not surprise us is the emotional resonance and implications of drama that imbue the works that Bartosik and Crossman premiered on their shared program at Abrons Art Center (part of a series, Travelogues, curated by Laurie Uprichard), and which affect all the works by Bartosik that I’ve seen. After the three had lived through so many years of being warned that (despite some evidence) no stories were being told in a Cunningham dance and that the movement was the meaning, any urges toward narrative must have huddled in each one’s subconscious like a ticking time bomb.